{"id":4418,"date":"2022-10-12T11:39:01","date_gmt":"2022-10-12T11:39:01","guid":{"rendered":"http:\/\/duff.kinematografi.org\/en\/?page_id=4418"},"modified":"2022-10-18T09:02:14","modified_gmt":"2022-10-18T09:02:14","slug":"duff2022igrani16-20","status":"publish","type":"page","link":"https:\/\/duff.kinematografi.org\/en\/duff2022igrani16-20\/","title":{"rendered":"FICTION 16-20"},"content":{"rendered":"

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Re\u017eija \/ Directed : Nicolas Brune, Sasha Foinix – Ynov (Toulouse), France<\/h5>\n

APSOLUTNO \/ ABSOLUTE<\/h4>\n

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\u010cinjenica da se inspiracija za film mo\u017ee na\u0107i u stvarnom \u017eivotu odli\u010dno je poslu\u017eila o\u010dajnom scenaristu. Utjecaj Burtona (animacija) i Fincera (triler) je o\u010dit.
\nNapet, razigran, rasplesano stra\u0161an i odli\u010dno montiran film o odnosu umjetnosti i \u017eivota.
\nThe fact that the inspiration for this movie can be found in real life has served a desperate screenplay writer well. One can clearly see the influence of Burton (animation) and Fincher (thriller).<\/em>
\nThis is a tense, playful, dance-like in its horror and excellently edited movie on the relationship between art and life.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][vc_column_text 0=””]<\/p>\n

Re\u017eija \/ Directed : Maria Marques Ribeiro – Ballyfermot School of Higher Education, Portugal \/ Ireland<\/h5>\n

CARPE DIEM<\/h4>\n

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Carpe Diem jo\u0161 je jedna interpretacija \u010destog motiva \u201cbeskrajnog dana\u201d, ali to ga ne \u010dini ni\u0161ta manje originalnim. Promi\u0161ljena monta\u017ea, ritam, pri\u010da bez dijaloga i ekspresija junakinje odli\u010dno su uskla\u0111eni, a teza koju film postavlja vrlo je jasna: svaka na\u0161a pa i najmanja odluka utje\u010de na svijet oko nas.
\nCarpe Diem is another interpretation of the common motive of a \u201cnever-ending day,\u201d but this does not make it any less original. A well thought through editing, rhythm, story without dialogue and expression of the hero are masterfully synchronised. The thesis that the movie presents is very clear: every decision we make, even the smallest one, influences the world around us.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][vc_column_text 0=””]<\/p>\n

Re\u017eija \/ Directed : Grupni rad \/ Group of authors – Ambroz Hara\u010di\u0107 high school, Mali Lo\u0161inj, Croatia<\/h5>\n

U \u017dURBI \/ IN A HURRY<\/h4>\n

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Zabavan, dinami\u010dan i duhovit film o kontrastu u potrebi da ubrzamo ritam kako bismo mogli \u0161to vi\u0161e u\u017eivati u njegovu usporavanju.
\nAn entertaining, dynamic and funny movie about the contrast between the need to speed up a rhythm of in order to enjoy its slowing down.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][vc_column_text 0=””]<\/p>\n

Re\u017eija \/ Directed : Luka Stjepanovi\u0107 – Independent, Croatia<\/h5>\n

NO\u0106NA SMJENA \/ NIGHT SHIFT<\/h4>\n

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Film na odli\u010dan na\u010din do\u010darava atmosferu jedne beskrajne no\u0107i na poslu. Dok gledamo, od samog po\u010detka stalno i\u0161\u010dekujemo da se ne\u0161to dogodi, ne\u0161to \u0161to \u0107e promijeniti monotoniju i iznenaditi nas i to je ono \u0161to nam dr\u017ei pa\u017enju kroz cijeli film. Zvu\u010dna kulisa, radijski programi koji se mijenjaju, kao i razgovori sa zadnjeg sjedi\u0161ta, jedini su znakovi \u017eivota koji se odvija negdje drugdje dok no\u0107 iscrpljuju\u0107e klizi prema jutru.
\nThe movie excellently depicts the atmosphere of one endless night at work. While we watch, from the start of the movie we are expecting something to happen, something that would change the monotony and surprise us, and that is the only thing that keeps our attention throughout the movie. The background sounds, radio programmes that change, as well as the back-seat conversations, are the only signs of life going on somewhere else while the night slides exhaustingly towards morning.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][vc_column_text 0=””]<\/p>\n

Re\u017eija \/ Directed : Marco Araujo – Independent, Spain<\/h5>\n

NA DRUGOM KATU \/ EN EL SEGUNDO IZQUIERDA \/ ON THE SECOND FLOOR<\/h4>\n

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Doajenka \u0161panjolskog filma i kazali\u0161ta Mar\u00eda Galiana je maestralna, a mladi autor stoji joj ravno uz bok. Izvrstan scenarij, re\u017eija i gluma u filmu koji \u0107emo dugo pamtiti i koji otvara ozbiljna pitanja o odnosu dru\u0161tva prema starijim osobama.
\nJednostavna i topla ljudska pri\u010da o samo\u0107i i otu\u0111enosti velikoga grada. Film nas poti\u010de na razmi\u0161ljanje o tome kako je ponekad dovoljno samo malo na\u0161eg u\u017eurbanog vremena da nekome uljep\u0161amo dan, a kako \u010desto ni za taj kratki poklon drugome nemamo vremena.
\nDoyen of Spanish film and theatre, Mar\u00eda Galiana is superb, and the young author is good enough to stand side by side with her. Excellent script, directing and acting in a movie we will remember for a long time. A movie that presents us with serious questions on the relationship the society has with its elderly.<\/em>
\nA simple and warm human story about loneliness and alienation of a big city. The movie encourages us to think about how sometimes a little bit of our hectic time is enough to make someone\u2019s day better, and how very often we don\u2019t have enough time even for that little gift to our fellow man.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][vc_column_text 0=””]<\/p>\n

Re\u017eija \/ Directed : Ivan Melguizo – Independent, Spain<\/h5>\n

POSTUREO<\/h4>\n

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Film otvara temu o kojoj je potrebno stalno govoriti, progovara o raskoraku izme\u0111u \u017eivota na dru\u0161tvenim mre\u017eama i onoga \u0161to se doga\u0111a u realnosti i kako se u tom raskoraku, iako smo ga mo\u017eda i svjesni, lako izgubiti i pogubiti.
\nThe movie opens up a theme that should always be discussed, the discrepancy between the life we present on social networks and what happens in reality and how, even if we are aware of this discrepancy, we can get lost in it.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][vc_column_text 0=””]<\/p>\n

Re\u017eija \/ Directed : Petar Bubalo – School for graphics, design and media production Zagreb \/ Blank film incubator, Croatia<\/h5>\n

CIKLUS \/ THE CYCLE<\/h4>\n

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Odli\u010dan film o ciklusima koji se ponavljaju i u koje lako upadnemo i u njima se zavrtimo, taman kad pomislimo da se ne\u0161to mo\u017eda promijenilo. Crno-bijela tehnika dodatno poja\u010dava dojam ne\u010deg starog, pro\u0161losti koja je tu i koju, da bismo je obojali bojama novog, moramo prvo razumjeti i nekoliko puta ponoviti.
\nA wonderful movie on repeating cycles that drag us in easily and spin back us around just when we think that something might have changed. Black and white technique enhances the impression of something old, of a past that is here and which we could colour, but in order to do that we first need to understand it and repeat it a couple of times.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][vc_column_text 0=””]<\/p>\n

Re\u017eija \/ Directed : Grupni rad \/ Group of authors – Student dorm for boys, Dubrovnik, Croatia<\/h5>\n

POVJERENJE \/ TRUST<\/h4>\n

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Odli\u010dna gluma glavnog glumca\/junaka dr\u017ei nam pa\u017enju i uvla\u010di nas u pri\u010du o tome kako svakodnevno trebamo paziti da ne povrijedimo jedni druge.
\nExcellent acting from the lead actor\/hero keeps our attention and drags us into the story about how we need to make sure every day that we don\u2019t hurt each other.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][\/vc_column][\/vc_row][vc_row 0=””][vc_column 0=””][vc_column_text 0=””]<\/p>\n

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[vc_row 0=””][vc_column 0=””][vc_separator color=”custom” accent_color=”#79b589″ css=”.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}”][vc_column_text 0=””] Re\u017eija \/ Directed : Nicolas Brune, Sasha Foinix – Ynov (Toulouse), France APSOLUTNO \/ ABSOLUTE [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4418","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/4418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/comments?post=4418"}],"version-history":[{"count":3,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/4418\/revisions"}],"predecessor-version":[{"id":4644,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/4418\/revisions\/4644"}],"wp:attachment":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/media?parent=4418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}