{"id":5503,"date":"2023-10-15T07:30:50","date_gmt":"2023-10-15T07:30:50","guid":{"rendered":"http:\/\/duff.kinematografi.org\/?page_id=5503"},"modified":"2023-10-16T08:20:07","modified_gmt":"2023-10-16T08:20:07","slug":"2023duff_fiction_0_15","status":"publish","type":"page","link":"https:\/\/duff.kinematografi.org\/en\/2023duff_fiction_0_15\/","title":{"rendered":"FICTION 0-15"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Grupa autora; 8&#8217;21&#8221;min; Escuela Taller Cachinus de Cine de Cilleros; \u0160panjolska<\/h5>\n<h4>\u00bfQui\u00e9n teme al lobo? \/ Who&#8217;s afraid of the wolf? \/ Tko se boji vuka?<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/tko-se-boji-vuka.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5691 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/tko-se-boji-vuka-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/tko-se-boji-vuka-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/tko-se-boji-vuka-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/tko-se-boji-vuka-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>Three girls meet a guy through a social network. And&#8230;<\/p>\n<p>\u201cThe story of the dangers of meeting strangers on social networks and raising awareness of this issue is intriguing. Exciting structure encourages us to think about this issue. Some of the elements could have been edited better to improve cohesion, but despite that the story has a very important message for the current generation.\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Grupa autora; 12&#8217;44&#8221;min; Ljetna \u0161kola filma \u0160ipan; Hrvatska<\/h5>\n<h4>Elizabeta II \/ Elizabeta II<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/elizabetII_1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5679 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/elizabetII_1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/elizabetII_1-150x150.png 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/elizabetII_1-85x85.png 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/elizabetII_1-80x80.png 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>A peaceful village, the pearl of the Elafiti islands, \u0160ipanska Luka, is shaken by a shocking news of a murder. The police are powerless but help comes from a young team who in an unbelievable action investigate and solve this case\u2026 until next time, greetings from \u0160ipanska Luka.<\/p>\n<p>\u201cDialogues are well written, with depth and authenticity that improves the viewing experience. Editing is immaculate and it directs the story tension appropriately.\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Grupa autora; 11&#8217;54&#8221;min; First Primary School Srebrenik; Bosna i Hercegovina<\/h5>\n<h4>Mother \/ Majka<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/majka1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5681 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/majka1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/majka1-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/majka1-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/majka1-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>Mother follows a young man while she remembers her mother and life in Bosnia and Herzegovina.<\/p>\n<p>\u201cA deeply moving story that wins over hearts with its simplicity and honesty. Although a short movie, it leaves a powerful impression.\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Grupa autora; 3&#8217;50&#8221;min; CEIP Serreria (Valencia, Spain); \u0160panjolska<\/h5>\n<h4>No s\u00e9 qu\u00e9 me pasa? \/ What&#8217;s wrong with me? \/ \u0160to ne valja sa mnom?<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/whats-wrong-with-me.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5693 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/whats-wrong-with-me-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/whats-wrong-with-me-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/whats-wrong-with-me-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/whats-wrong-with-me-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>We felt exhausted and depressed. We didn&#8217;t know what was happening to us. But one day something magical happened.<\/p>\n<p>\u201eThis ingenious film is based on a stylistic figure of a contrast. In addition to achieving this contrast through acting and use of props, it is enhanced by split-screen shots in which we simultaneously follow two different lifestyles. A wonderful idea excellently realized.\u201c[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Marc Ja\u00e9n Castells, Abril Garc\u00eda Arancibia; 5&#8217;00&#8221;min; Escola Cooperativa Nou Patufet; \u0160panjolska<\/h5>\n<h4>Palapasabra \/ Palapasabra<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/palapasabra.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5683 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/palapasabra-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/palapasabra-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/palapasabra-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/palapasabra-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>&#8220;Palapasabra&#8221; is a humorous satire of a situation that, unfortunately, some of the members of the team have experienced.<\/p>\n<p>\u201cPlaying with the form of a TV show, this movie is at the same time a funny and a sad satire of the modern society where human rights and liberties are still being violated.\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Grupa autora; 9&#8217;28&#8221;min; Ljetna \u0161kola filma \u0160ipan; Hrvatska<\/h5>\n<h4>Povratak \u0160ipana \/ The Return of \u0160ipan<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/povratak_sipna_2-1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5685 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/povratak_sipna_2-1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/povratak_sipna_2-1-150x150.png 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/povratak_sipna_2-1-85x85.png 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/povratak_sipna_2-1-80x80.png 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>The antihero tries to destroy the island idyll, but nobody can destroy the power of friendship and unity.<\/p>\n<p>\u201cA fun science-fiction action movie which balances serious and humorous elements very well. Creative use of special effects makes this movie visually very interesting.\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Anastasija Petrovi\u0107; 6&#8217;00&#8221;min; Posavci Film; Srbija<\/h5>\n<h4>Susret<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/susret.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5687 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/susret-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/susret-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/susret-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/susret-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>In the intimate atmosphere of the school library, a boy starts daydreaming about the girl playing the piano in front of him. The romantic reverie is abruptly interrupted when reality flashes in a completely new and unexpected form. Whether from an individual&#8217;s perspective or society&#8217;s, this film reflects on the lack of sensitivity, stigmatization, and prejudices regarding interpersonal differences.<\/p>\n<p>\u201cEven without much dialogue, this movie sends a strong message. The authors use colour excellently as a contrast between the scenes of reality and fantasy. Reality only seems dark because we see it from the point of view of the boy \u2013 someone who is convinced that there is no future for people with disabilities. Despite all this, the final scenes offer optimism\u2026\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Pablo Soto; 10&#8217;23&#8221;min; Independent; Gr\u010dka<\/h5>\n<h4>The ball is mine \/ Lopta je moja<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/the-ball-is-mine.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5689 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/the-ball-is-mine-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/the-ball-is-mine-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/the-ball-is-mine-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/the-ball-is-mine-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>In a few hours, two friends will break into a strange kid\u2019s house to get back the ball that belongs to them.<\/p>\n<p>\u201cScreenplay, camera work, acting, scene design, props, directing and image and sound editing function perfectly in this movie. We expect many more excellent movies such as this one from this young director.\u201d<\/p>\n<p>&nbsp;[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text] Grupa autora; 8&#8217;21&#8221;min; Escuela Taller Cachinus de Cine de Cilleros; \u0160panjolska \u00bfQui\u00e9n teme al lobo? \/ Who&#8217;s afraid<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5503","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/5503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/comments?post=5503"}],"version-history":[{"count":6,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/5503\/revisions"}],"predecessor-version":[{"id":5698,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/5503\/revisions\/5698"}],"wp:attachment":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/media?parent=5503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}