{"id":5573,"date":"2023-10-15T07:51:21","date_gmt":"2023-10-15T07:51:21","guid":{"rendered":"http:\/\/duff.kinematografi.org\/?page_id=5573"},"modified":"2023-10-16T08:41:06","modified_gmt":"2023-10-16T08:41:06","slug":"2023duff_documentary_16-20","status":"publish","type":"page","link":"https:\/\/duff.kinematografi.org\/en\/2023duff_documentary_16-20\/","title":{"rendered":"DOCUMENTARY 16-20"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Group of authors; 8&#8217;46&#8221;min; Second Gymnasium Sarajevo; Bosnia and Herzegovina<\/h5>\n<h4>83%<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/83.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5739 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/83-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/83-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/83-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/83-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>The film tells the story of &#8220;emotions trapped in one&#8217;s own body&#8221;. It directly deals with the topic of negative body image and presents the interpreted true experiences of those who fight their battle in darkness.<\/p>\n<p>\u201cThe movie succeeds in showing the psychological state of people suffering from low self-esteem and distorted image of one\u2019s own body.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Petra Raku\u0161i\u0107, Lea U\u0161kovi\u0107 ; 9&#8217;58&#8221;min; UD Ugostiteljsko-turisti\u010dke \u0161kole Osijek; Hrvatska \/ Croatia<\/h5>\n<h4>Bez veze \/ Off the Gird<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/bez-veze.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5743 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/bez-veze-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/bez-veze-150x150.png 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/bez-veze-85x85.png 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/bez-veze-80x80.png 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>The film shows us how the experiment went and what insights these young women received from it.<\/p>\n<p>\u201cToday we can\u2019t imagine life without smartphones which makes the topics of social network addiction and smartphone addiction very timely.\u201d<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Deniz Midik; 7&#8217;03&#8221;min;GSU \/ Cinestudio Paris; Turkey, France<\/h5>\n<h4>Hayallerin \u00d6tesinde\/ Atelier Beyond<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Atelier-Beyond.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5741 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Atelier-Beyond-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Atelier-Beyond-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Atelier-Beyond-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Atelier-Beyond-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>The documentary showcases how this museum eventually became the new &#8220;Pont des Arts&#8221; (Lovers&#8217; Bridge), and how the artists&#8217; success went beyond their dreams from years before.<\/p>\n<p>\u201cA very interesting dada artist talks about an important event they contributed to in order to improve Paris art scene.\u201d<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Reina Brabenec; 5&#8217;06&#8221;min; Academy of dramatic arts; Hrvatska \/ Croatia<\/h5>\n<h4>Jedini na\u010din \/ The Only Path<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/jedini-nacin.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5745 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/jedini-nacin-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/jedini-nacin-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/jedini-nacin-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/jedini-nacin-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>A documentary about a man who lives in the forest and enjoys his peaceful life in symbiosis with his best friend.<\/p>\n<p>\u201cGorgeous shots of nature create an impression of an idyll and show the coexistence of man and nature, but they also wonderfully add to the life philosophy of the protagonist.\u201d<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Ludovica Liparoti; 11&#8217;36&#8221;min; Dams Unicatt; Italy<\/h5>\n<h4>L&#8217;Ideale dell&#8217;ostrica \/ The Ideal of the oyster<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Lideale-dellostrica.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5747 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Lideale-dellostrica-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Lideale-dellostrica-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Lideale-dellostrica-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/Lideale-dellostrica-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>An island off the coast of Sicily, a real paradise on earth that hides dark secrets. The film brings to the surface, through the touching memories of the locals, the story of a love affair that ended in an atrocious femicide-suicide in the 50s.<\/p>\n<p>\u201cThis excellently directed documentary combines a pleasant atmosphere of life by the sea with memories of a tragedy that hide beneath the surface.\u201d<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Konstantinos Potamianos; 10&#8217;00&#8221;min; Anamorphic Films; Greece<\/h5>\n<h4>The Call Of The Lighthouses<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/The-call-of-the-lighthouses.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5749 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/The-call-of-the-lighthouses-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/The-call-of-the-lighthouses-150x150.jpg 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/The-call-of-the-lighthouses-85x85.jpg 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/The-call-of-the-lighthouses-80x80.jpg 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>A documentary that describes the story of the renovation of the two southernmost lighthouses in land Europe, from the point of view of the architect who undertook their reconstruction.<\/p>\n<p>\u201cMovie shows us just how demanding a job a reconstruction of a lighthouse really is, and the beautiful shots accompanied by pleasant music bring to life the landscape that is home to the lighthouses.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Ante Rukavina; 3&#8217;12&#8221;min; Humanisti\u010dka gimnazija; Hrvatska \/ Croatia<\/h5>\n<h4>\u0160to je to u prozorima? \/ What Is It About Windows?<\/h4>\n<p><a href=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/what-is-it-about-windows.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5752 size-thumbnail\" src=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/what-is-it-about-windows-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/what-is-it-about-windows-150x150.png 150w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/what-is-it-about-windows-85x85.png 85w, https:\/\/duff.kinematografi.org\/wp-content\/uploads\/2023\/10\/what-is-it-about-windows-80x80.png 80w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>This short documentary follows a girl narrator observing the world through windows.<\/p>\n<p>\u201cIn this short documentary format, we follow a girl who becomes a narrator of her own point of view, by observing the world through windows.\u201d<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text]<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text]<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#79b589&#8243; css=&#8221;.vc_custom_1665571572551{margin-top: 30px !important;margin-bottom: 10px !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column 0=&#8221;&#8221;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5573","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/5573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/comments?post=5573"}],"version-history":[{"count":4,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/5573\/revisions"}],"predecessor-version":[{"id":5754,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/pages\/5573\/revisions\/5754"}],"wp:attachment":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/media?parent=5573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}