{"id":3001,"date":"2019-09-03T12:00:07","date_gmt":"2019-09-03T12:00:07","guid":{"rendered":"http:\/\/duff.kinematografi.org\/en\/?p=3001"},"modified":"2019-10-15T12:24:52","modified_gmt":"2019-10-15T12:24:52","slug":"16-20-official-competition","status":"publish","type":"post","link":"https:\/\/duff.kinematografi.org\/en\/2019\/09\/03\/16-20-official-competition\/","title":{"rendered":"16-20 OFFICIAL COMPETITION"},"content":{"rendered":"FICTION 16-20 PDF brochure<\/span><\/a>\n\nANIMATED 16-20 PDF brochure<\/span><\/a>\n\nDOCUMENTARY 16-20 PDF brochure<\/span><\/a>\n\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

100 % polyester<\/b><\/span><\/p>\n<\/td>\n

\n

100 % polyester<\/span><\/p>\n<\/td>\n

\n

3’08”<\/span><\/p>\n<\/td>\n

\n

Luka Stjepanovi\u0107<\/span><\/p>\n<\/td>\n

\n

PUG Zagreb<\/span><\/p>\n<\/td>\n

\n

Documentary<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u00bfQu\u00e9 pasar\u00eda si la animaci\u00f3n sociocultural desapareciese?.<\/b><\/span><\/p>\n<\/td>\n

\n

What would happen if sociocultural animation disappeared ?<\/span><\/p>\n<\/td>\n

\n

4’25”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

IES B\u00e1rbara de Braganza , \u00a0 <\/span>Badajoz\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span><\/p>\n<\/td>\n

\n

Documentary<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Alex<\/b><\/span><\/p>\n<\/td>\n

\n

Alex<\/span><\/p>\n<\/td>\n

\n

10’06”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

Mu\u0161ki UD Dubrovnik<\/span><\/p>\n<\/td>\n

\n

Documentary<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

“Alma”<\/b><\/span><\/p>\n<\/td>\n

\n

“Alma”<\/span><\/p>\n<\/td>\n

\n

5’55”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

IES Llerena, \u00a0 <\/span>Llerena \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Cristallo<\/b><\/span><\/p>\n<\/td>\n

\n

Cristallo<\/span><\/p>\n<\/td>\n

15’00”+<\/span>btb<\/span><\/td>\n\n

Group<\/span><\/p>\n<\/td>\n

\n

Liceo Classico Statale “M. Minghetti”<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u010cipka film<\/b><\/span><\/p>\n<\/td>\n

\n

LACE MOVIE<\/span><\/p>\n<\/td>\n

\n

2’08”<\/span><\/p>\n<\/td>\n

\n

Lucija Lubina<\/span><\/p>\n<\/td>\n

\n

NS Dubrava \/ \u0160kola crtanog filma Dubrava<\/span><\/p>\n<\/td>\n

\n

Animation<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Djeca sunca<\/b><\/span><\/p>\n<\/td>\n

\n

Children of the Sun<\/span><\/p>\n<\/td>\n

\n

6’11”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

Independent <\/span><\/p>\n<\/td>\n

\n

Documentary<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Esta soy yo<\/b><\/span><\/p>\n<\/td>\n

\n

This is me<\/span><\/p>\n<\/td>\n

\n

10’00”<\/span><\/p>\n<\/td>\n

\n

Yaiza Su\u00e1rez<\/span><\/p>\n<\/td>\n

\n

High School Cacheiras \/ Ind. <\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Etikete<\/b><\/span><\/p>\n<\/td>\n

\n

Labels<\/span><\/p>\n<\/td>\n

\n

4’33”<\/span><\/p>\n<\/td>\n

\n

Nina Damjanovi\u0107<\/span><\/p>\n<\/td>\n

\n

Independent<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u039e\u03b7\u03bc\u03b5\u03c1\u03ce\u03bd\u03b5\u03b9 \u03c3\u03c4\u03bf \u0393\u03b5\u03bd\u03c4\u03af \u039a\u03bf\u03c5\u03bb\u03ad<\/b><\/span><\/p>\n<\/td>\n

\n

\u039corning comes in Yedi Kule<\/span><\/p>\n<\/td>\n

\n

6’30”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

8th High School of Pireus<\/span><\/p>\n<\/td>\n

\n

Documentary<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

G. Oblak<\/b><\/span><\/p>\n<\/td>\n

\n

Mr. Cloud<\/span><\/p>\n<\/td>\n

\n

1’30”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

ZVVIKS<\/span><\/p>\n<\/td>\n

\n

Animation<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Ilija i Pavle<\/b><\/span><\/p>\n<\/td>\n

\n

Ilija & Pavle<\/span><\/p>\n<\/td>\n

15’00”+<\/span>btb<\/span><\/td>\n\n

Nika Kapelec<\/span><\/p>\n<\/td>\n

\n

FS Medika<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Ime mi je Mara<\/b><\/span><\/p>\n<\/td>\n

\n

My name is Mara<\/span><\/p>\n<\/td>\n

\n

6’36”<\/span><\/p>\n<\/td>\n

\n

Marina Bebek<\/span><\/p>\n<\/td>\n

\n

FS Paola Di Rosa<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Interakcije<\/b><\/span><\/p>\n<\/td>\n

\n

Interactions<\/span><\/p>\n<\/td>\n

\n

2’45”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

ZVVIKS<\/span><\/p>\n<\/td>\n

\n

Animation <\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Klinka<\/b><\/span><\/p>\n<\/td>\n

\n

Kiddo<\/span><\/p>\n<\/td>\n

\n

13’30”<\/span><\/p>\n<\/td>\n

\n

Petra Paveti\u0107 Kranj\u010dec<\/span><\/p>\n<\/td>\n

\n

Blank_filmski inkubator<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

La felicit\u00e0 romana<\/b><\/span><\/p>\n<\/td>\n

\n

Roman Happiness<\/span><\/p>\n<\/td>\n

\n

9’59”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

Polittico<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Kitten In My Hands<\/b><\/span><\/p>\n<\/td>\n

\n

Kitten In My Hands<\/span><\/p>\n<\/td>\n

\n

3’43”<\/span><\/p>\n<\/td>\n

\n

Katya Kaminsky<\/span><\/p>\n<\/td>\n

\n

Wild Kids animation studio<\/span><\/p>\n<\/td>\n

\n

Animation<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u039f \u03ba\u03cd\u03b2\u03bf\u03c2<\/b><\/span><\/p>\n<\/td>\n

\n

The cube<\/span><\/p>\n<\/td>\n

\n

4’00”<\/span><\/p>\n<\/td>\n

\n

Group<\/span><\/p>\n<\/td>\n

\n

2nd lyceum of Igooumenitsa<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Pepeljuga<\/b><\/span><\/p>\n<\/td>\n

\n

Cinderella<\/span><\/p>\n<\/td>\n

15’00”+<\/span>btb<\/span><\/td>\n\n

Melita Mukavec<\/span><\/p>\n<\/td>\n

\n

Blank_filmski inkubator<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Price<\/b><\/span><\/p>\n<\/td>\n

\n

Price<\/span><\/p>\n<\/td>\n

\n

4’44”<\/span><\/p>\n<\/td>\n

\n

Samuel Navarro<\/span><\/p>\n<\/td>\n

\n

Sanador Films <\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Ruleta Rusa<\/b><\/span><\/p>\n<\/td>\n

\n

Russian Roulette<\/span><\/p>\n<\/td>\n

\n

8’04”<\/span><\/p>\n<\/td>\n

\n

Lydia Gonzalez<\/span><\/p>\n<\/td>\n

\n

IES Rodanas<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Slijepci<\/b><\/span><\/p>\n<\/td>\n

\n

The Blind<\/span><\/p>\n<\/td>\n

\n

2’03”<\/span><\/p>\n<\/td>\n

\n

Lucija Petkovi\u010dek<\/span><\/p>\n<\/td>\n

\n

FKVK Zapre\u0161i\u0107<\/span><\/p>\n<\/td>\n

\n

Animation<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Smetnje<\/b><\/span><\/p>\n<\/td>\n

\n

Distractions<\/span><\/p>\n<\/td>\n

\n

6’37”<\/span><\/p>\n<\/td>\n

\n

Josip Skledar<\/span><\/p>\n<\/td>\n

\n

FKVKZ<\/span><\/p>\n<\/td>\n

\n

Fiction<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

The Moon and The Sun Love<\/b><\/span><\/p>\n<\/td>\n

\n

The Moon and The Sun Love<\/span><\/p>\n<\/td>\n

\n

4’38”<\/span><\/p>\n<\/td>\n

\n

Ekaterina Kurygina<\/span><\/p>\n<\/td>\n

\n

Independent<\/span><\/p>\n<\/td>\n

\n

Animation<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

The Unknown Savior <\/b><\/span><\/p>\n<\/td>\n

\n

The Unknown Savior<\/span><\/p>\n<\/td>\n

\n

13’11”<\/span><\/p>\n<\/td>\n

\n

Iliana Rapti<\/span><\/p>\n<\/td>\n

\n

1st Laboratory Centre of Argos &\u00a0 <\/span>1st VHS of Argos<\/span><\/p>\n<\/td>\n

\n

Documentary<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\"\"<\/a>\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  100 % polyester 100 % polyester 3’08” Luka Stjepanovi\u0107 PUG Zagreb Documentary \u00bfQu\u00e9 pasar\u00eda si la animaci\u00f3n sociocultural desapareciese?. What would happen if sociocultural animation [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-3001","post","type-post","status-publish","format-standard","hentry","category-duff2019"],"_links":{"self":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/posts\/3001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/comments?post=3001"}],"version-history":[{"count":4,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/posts\/3001\/revisions"}],"predecessor-version":[{"id":3078,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/posts\/3001\/revisions\/3078"}],"wp:attachment":[{"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/media?parent=3001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/categories?post=3001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duff.kinematografi.org\/en\/wp-json\/wp\/v2\/tags?post=3001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}